Hackford’s “Ray” Hacked to Bits by Projector, Sound System, and Self
I’m posting my thoughts on Ray right now, before it leaves my memory. I will be honest; Taylor Hackford is a cool guy. He knows what he’s doing and he’s a good director. But I just saw Ray at the Beverly Center (avoid this theater—more on that later) and it blew, big time.
Joined by intrepid if slightly lackadaisical cinematography duo Cindy F. and Chuck D., we proceeded into the theater at the very top of the Beverly Center complex. It is large and seems underutilized, but it was a Wednesday night, so I’ll give them some slack. And slack it was, the sound system rates a D- on Phil’s Phonic Quality Rating System (PQRS) and the projector had some major registration issues. The film jumped and jittered vertically (no, that’s not a dance move) which made me feel as if I were starting to go blind. Perhaps the creators intended it this way, to make it a more visceral experience and help us identify with Jamie Foxx? (Who, by the way, was brilliant in this film and its saving grace.) I’m afraid not. All it did was give me a headache and made me want to run out of the theater and complain to management. As a matter of fact, a half hour after the movie should have ended, Cindy did just that, but alas, alack, to no avail.